banjo headstock identification

The Jumbo 55 (J-55) was introduce in late 1939 and discontinued in 1942. The pickguard was longer than earlier models and it had a moustache bridge (though slightly smaller and less ornate than that used on the SJ-200). (The 1st year of the J-45 actually had similar appointments but they were reduced and simplified for model clarity in 1943). This makes up for the shallow break angle, and also does away with string trees, which are not needed in this case. A head on a long neck open back banjo might sound completely different on a 12-string banjo. At the time, the Nick Lucas model was the largest flat-top Gibson offered. Design your own Huber Banjo. Each model of the Mark Series was available in natural or sunburst finish. It worked. Internally, changes from the J-35 included strengthening the top bracing by moving the X brace 1 additional inch behind the soundhole. F/FF = Factory code (No factory designator for some 1993 and earlier models) Y/YY = Year of manufacture (Single digit for some 1997 and earlier models) MM = Month of manufacture. F Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. 587 Similar to 585 but with pearl (vs ivoroid) tuner buttons. Timing is everything In 1969 the Gibson parent company: Chicago Musical Instruments (CMI) was acquired by the South American brewing conglomerate: E.C.L. This technique of supplying interchangeable saddles/bridges was not new, it had been used by Selmer in France for their Maccaferri style instruments since the 1930s. The Kalamazoo plant kept going for a few years as a custom-instrument shop, including the Mark Series instruments, and was ultimately closed in 1984. This is the smallest model, chrome tuners. Similar to A-2 but with snakehead headstock, blonde finish, b/w binding, and A2-Z on the label. The 1975 price was $439. The flood of returning soldiers with a broader world-view brought new musical tastes and new hopes for the future. The top and back bindings were black plastic. Yes, paging Scott to the Collector's Corner, please. GIBSON GARAGE FIND A DEALER GIBSON APP. The first Gibson J45 guitars were only slightly different from the discontinued J-35. The grade of top wood was tighter grained. Martin Guitars seemed to take note of the successful sales of the Gibson acoustic-electrics J-160E and CF-100Es. S3M, Size 3 guitar with mahogany back & sides. The aluminum shell was chrome plated with 24 chrome-plated brackets. Information compiled by Leonard Wyeth 2008, L Wyeth, Century General Introduced 1933 for the Century of Progress Exhibition @ $55. Size 3 Gurian, either acoustic or amplified. Introduced August 1942 and J-45s are still available today. Rated 5.00 out of 5. The 2nd delivery to Ray Whitley was the more refined 14 fret SJ that is so well photo-dicumented. This peghead is found on low end, turn of the century, Lyon & Healy banjos, often with the L&H or Mystic brand stamped into the strut. 156137I know this is a mandolin forum, but the admins suggested I start here. 15 Mahogany top, back & sides no binding, 17 Mahogany top, back & sides bound top. 615-264-4959. CONTACT US; Headstock Shape. Following many prototypes, shapes and bracing patterns, the Mark Series was launched in 1975. A total of 2,477 J-35s were made according to Gibson records. The Gibson Super Jumbo first appeared in 1937. identify the manufacturer of these banjos in many cases, but some identify The fingerboard of the L-5S is in with select abalone. Script Gibson logo, Fretboard: Twin parallelograms inlays unbound 19 fret. Information gathered from many sources but there are a few that need to be acknowledged: Dan Beimborns original Mandolin Pages web site and later contributions to the Mandolin Archive. Back & Sides: Mahogany but some released as Brazilian rosewood. B. Schall (1878-1907) manufactured many unmarked banjos for Gretsch started a new serial number system. The intent is to provide a rough dating guide. The later pickguard clamps have a stamped patent date of July 4, 1911. These appear to have a unique serial number scheme. I'm leaning more in that direction. The tradition had been Bug style mandolins: bowl-backs with flat or bent tops. Like the SJ-100 of the same year, the J-55 had a stair-step headstock that persisted for only 2 years. At the turn of the century, Orville Gibson was refining his notion of the superior mandolin: carved in the tradition of violins for greater volume and tone as well as comfort. The standard early Gibson A models had a soft V shaped neck. To complicate matters, the Larson brothers appear to have used different numbering techniques for different brands that they supplied. Other Banjo-Related Topics The appointments matched the MK-35 but the bracing was modified to accommodate the additional string tension of 12 strings. Gretsch was contracted to make banjos for them. The back and sides were Brazilian rosewood and the tops Adirondack red spruce. Ironically the first blond J-45s were actually built in July of 1942 (Called the J-45N for Natural) and the actual number of these shipped is not known for sure. How did you come to own it? Not many were sold and the production run was therefore limited to 2 years. Many banjo manufacturers, in addition to making banjos under their own names, made unmarked banjos for others to sell as well. Your banjo is Asian made, likely Korea, but maybe Japan. ARIA 921C. As for how I came to own the instrument, my grandmother's cousin was an instrument collector. Scott Zimmerman may be able to shed some light on this. the bins that were used to move instruments from . The first two digits tell you the month the banjo was built, the last two digits before the dash or space will tell you the year, and the numbers . banjo headstock identification new harrisonburg high school good friday agreement, brexit June 29, 2022 fabletics madelaine petsch 2021 0 when is property considered abandoned after a divorce "F" Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. Please see the, Epiphone: Current Serial Number Information, Gibson J-35 & Advanced Jumbo Flat-top Acoustic Guitars, Gibson Jumbo Deluxe and J-55 Flat-top Acoustic Guitars, Gibson J-45 and J-50 Flat-top Acoustic Guitars, Gibson Southern Jumbos and Country Westerns, Gibson J-160E Flat-top Acoustic-Electrics, Gibson CF-100 Flat-top Acoustic-Electrics, Gibson MK Series Flat-top Acoustic Guitars, Gibson L-5S Solid Body Electric Guitars, Guitars & Stringed Instruments General Information, Care & Feeding of a Wooden Musical Instrument, Identifying Vintage Guitars, Banjos & Mandolins, 41530 Transition from 12 to 14 fret necks, 1 Banjos from various contracted builders, 2028 Earliest reference to Forrest Dale VT, 30620 Symphonie, Sultana, and Senorita introduced, 35341 Gretsch purchases Fred Bacon Banjo Company. Leland Brilliantone (1910 1918?). in the third row of pictures below: Lyon & Healy (1864-1940) made many grades of banjos in many styles, The sunburst finish was generally $30 less than natural finish. I doubt you'll find this in a catalog. Terms of Use | Privacy Policy | Copyright 2023 Banjo Hangout. target no need to return item. There were 5226 made. There was some amber color. They did not imprint the instruments with any particular brand. The story of how Greg Deering came to own the over 130 year old Vega trademark is one of childhood dreams and an unmissable opportunity. The following numbers are the earliest known serial number for the year listed. Rettberg & Lange (1898-1920) banjos were initially similar to Buckbee-made All Rights Reserved. They are maintained by Donna LoPrinzi in Clearwater Florida. Download Old Banjo stock photos. Several cost-cutting measures existed between the Advanced Jumbo and the J-35 including scalloped braces on the advanced Jumbo and not on the J-35. Manchester University, All Forums I'm kind of with Bob on the Korea origin - almost screams Sam Ickfrom the 1980s to me - except that it's a little understated and the finish isn't as thick as you normally see on a Samickpresentation banjo. Manchester University, Instruction * ConcertsJams * More The 1975 price was $879. They were popular with the Cowboy Singing Stars like Bob Baker (National Barn Dance WLS). Weve seen some serial number lists that are as much as 8 years out-of-sync with this list. Angled (Tilted-Back) Headstock. A flourish inlay under The Gibson in the headstock. Similar to A, but with double purfling on the soundhole. In 1947 the name changed to the J-200 and the standard back and sides became highly figured maple. Nice playability, great tone, strong low end and good sustain all the way up the neck. The 1975 price was $549. Vega continued to mark their banjos "A.C. Fairbanks" until the middle teens. According to the Gibson catalog, natural finish was the only option in 1939 but we are told that at least 2 examples exist of a cherry sunburst from the same period. The first number of the sequence indicates the decade of production, followed by the three digit day of the year, and finally the year. They didnt sell well but did live up to their design intent of a heavier, booming tone with good overall balance. Approximate Chronology (there are always exceptions): There were a few natural finished J-45N models made during 1942. English mandolin banjo, by cuckoo, circa 1900s, of typical form, 'Cuckoo' imprinted on the headstock, 55 cm long American Orpheum mandolin banjo , by Rettberg & Lange, no. This is a high-quality instrument. This moved the X away from the soundhole a bit. S2M, size 2 guitar with mahogany back & sides. http://www.mugwumps.com. Occasionally the labels have fallen out or been removed during repairs making it a bit trickier to date the instruments. Weekly newsletter includes free lessons, favorite member content, banjo news and more. The name evolved from De Luxe Jumbo to Super Jumbo in 1939, and then to the Super Jumbo 200 (reflecting the price at the time, the case would be $28 extra). 1979 $1149 Antique Sunburst added to Fireburst, Cherry Sunburst and Natural. Cherry Sunburst is still available. Sha-Sw. T-V. W-Y. The bracing was revised to accommodate the moustache bridge and generally heavier than earlier models. Check out our banjo decal selection for the very best in unique or custom, handmade pieces from our bumper stickers shops. Presentation banjos often turned up at NAMMand other shows. Most were 3-piece solid maple bodies. made unmarked banjos for others to sell as well. Many banjo manufacturers, in addition to making banjos under their own names, Late 1930's Thicker Gibson Logo. Since that day in 1989, Deering has breathed new life into the Vega name, blending over a century of tradition with Deering's banjo building expertise, to create a range of heritage rich open back and longneck banjos that are as integral to the modern folk . Between 1974 and 1984 production of Gibson guitars was slowly being shifted from Kalamazoo MI to Nashville TN. The Larson bridge, if not otherwise specified by another company, is a rectangular flattened pyramid ebony style similar to those used by Lyon and Healy. The braces were generally thin and numerous compared with other manufacturers. MK-99 models were handcrafted and signed by Richard Schneider. Bodies: Rosewood, oak, mahogany, koa and maple. New Location: It had a 24 3/4 scale and was constructed of all solid woods. For example: B&D had several un-numbered models between 1913 and 1920. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. $80 in depression era dollars was beyond the means of most people of the time but 300+/- were built during its 3 year production run. The Maurer Company records have been lost. Brown or black finish, some binding only on the top and in the soundhole with one ring around the soundhole. Buy in monthly payments with Affirm on orders over $50. Banjo serial numbers: During the 1920s, Gibson instruments were made in lots of 40s (for the most part, this procedure continues today). For example, one head might sound right for one player on a five string banjo, but be disappointing on another players tenor banjo. 541 Concert: rosewood back & sides with colored wood appointments. What's the history on the this jo, are you the original owner? The body dimensions basically match the LG-series: 14 1/8 wide by 19 1/2 long by 4 1/2 deep. The original Factory Order Numbers (FON) appear to show the first De Luxe Jumbos were delivered bewteen March and June of 1938 to Joe Wolverton, Ray Whitley and Gene Autry. It took Gibson 2 years to develop their response: The Jumbo of 1934. Start your day off right, with a Dayspring Coffee The original V shape of the necks of the J-35s was replaced by distinctly round necks (baseball bats) and a tear drop pickguard. All listed sizes are for 12 fret to body models: These dimensions were similar for all Larson made instruments. Gold script Gibson logo, Pickguard: Tiger-striped & teardrop shape, Finish: brown sunburst top finish, dark brown mahogany back and sides and neck, Body Binding: 7-ply top binding and single ply back binding, Tuners: Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic button usually white but sometimes black), Tortoise-shell teardrop pickguard replaced the tiger stripe material, Single bound top and back, multi-bound rosette, Mahogany neck but a few Maple necks with a single walnut stripe down the center (3 piece neck), Three layer w/b/w tops and single layer back binding, Mahogany neck block with beveled sides, changed to a mahogany neck block with square sides, Tuners were 3-on-a-plate Klusons with exposed gears and Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic buttons (usually white but sometimes black) and 1/4 diameter posts. It is the only typical American (USA) instrument, starting off as an instrument of the African slaves, then via the Minstrel Shows becoming part of typical American music styles like Jazz, Dixieland, Bluegrass, etc. I have an open back banjo with a number 44 stamped in the ring, and May 2, 1899 carved in the support on the backside. Jun 24, 2020 - The Art of Banjo Headstocks. 1974 $895 This was the best sales year for the L-5S shipping 555 instruments. Instruction * ConcertsJams * More Most Late 1974 gold covered recording pickups are replaced with humbuckers. This was available in brown, black or blonde finish. purchase these instruments and put their own names on them, but in many other Use them in commercial designs under lifetime, perpetual & worldwide rights. The Mark Series guitars had 16 3/16 lower bouts with very narrow waists, and a headstock like no other in Gibson tradition. It had a double ring of purfling around the soundhole, pearl dots on the fretboard, dark stained birch back and sides and The Gibson stamped on tailpiece cover. As a consequence, the details were grand in scale and the bindings high in contrast to look good in black and white on the silver screen. Gibson changed the name again in the 1950s to the SJ-200. Its not clear how it works during this period. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. Bound rosewood fingerboard with small fret wire, clamshell tail piece with Morris inscribed. Our 19th Year * Sign Up Now S2R, size 2 guitar with East Indian rosewood back & sides, chrome tuners. Towards the end, the line actually continued to increase in sales. This was adapted to the mandolin over the next few years. There was a line of black inlay (or ebony layer) along the centerline of the back of the neck. It appears to be all original except for the bridge, which appears to be a banjo bridge crudely slotted for 8 strings, and the head, which is probably plastic. Intermediate Grade and Best Grade were generally X braced with laminated braces for added strength. Have a vintage Harmony guitar? They had dot markers on the fretboard and a moustache bridge with individual adjusters on each string. The 1934 version had a classic Gibson sunburst: the small amber center around the bridge about 1/4 of the top area. Edited by - rfvelk on 12/26/2013 17:31:36, Blake507 - Posted-12/26/2013: 22:24:21. 428 Geared pegs, reinforced neck & high nut, MYNNN or MYNNNN Month = 1-9 with 3 or 4-digit production number, MMYNNN or MMYNNNN Month =10,11,12 with 3 or 4-digit production number, # 41122 would have been made April 1971, #122, #121131 could be made in either December 1971, #131 or January 1972, #1131, #221 could have been made around 1907 or in the early 1940s, #2121 could have been made around 1913 or 1914, the late 1940s or February 1971, #21, #31121 could have been made in the early 1931 or 1932, 1960 or March 1971, #121.

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banjo headstock identification